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When I was a kid I loved comics, but I didn’t really buy them or collect them myself – they didn’t really feel like they were for me. And they kinda weren’t – it’s still a male-dominated medium – but during my childhood, it was nearly impossible to find a comic series fronted by women that I could relate to. If there were women they were always too sexy, too femme, too stylish, too one dimensional, too focused on their love interest, too actually-a-man-reincarnated-into-a-woman’s-body (no, for real) for me to find my child self in them.* It’s important to point out that authentic representations of people of color, in particular women of color, were even harder for young readers to find. (After I sent this piece to editing I read about how a variant cover for Marvel’s new Iron Man series, featuring Riri Williams a 15 year old Black Girl as Iron Man, was released. The picture was hyper sexualized, and in no way looked like a 15 year old girl. Which is to say the the comic industry’s over sexualization of women and girls, in particular Black women and girls, is not a thing of the past.)
And it’s been a bit of a bummer as I’ve grown up to see that so many white boys and men have really taken nerdom’s marketing to straight white men to mean that they are the cultural gatekeepers. From video games and comic books to participation in nerd culture women and girls have to fight for their ability to critique and often times even just participate in the fandoms they love (not that white fanboys have taken comic franchises attempting to diversify their flagship characters any better).
So I bet you can imagine how excited I was to learn about Seattle’s GeekGirlCon! A Con that exists to “…create community to foster continued growth of women in geek culture through events”. I kinda feel like GeekGirlCon is what the world needs. I am heartbroken to tell you that I was unable to go this year (it’s not even for a good reason, I had too many errands… adulting is hard, ok?!), but I just had to do something in tribute to GeekGirlCon, and hope this blog post will suffice for this year.
So as this title says I’m going to recommend comics written for young audiences with girl heroes, and as the title further says these books would be great reads for girls, boys, and kids beyond the binary. #BooksHaveNoGender, yes girls need to see female heroes, SO DO BOYS, so do nonbinary kids! Plus these comics are just plain GOOD, all kids should like them, seriously #BooksHaveNoGender.
The Lunch Lady series has a perfect combination of classic comic corniness and absurd concepts to permanently wedge its way into your heart! By day Lunch Lady is, in fact, a lunch lady, serving nutritious meals to Hector, Terrace, Dee (the Brunch Bunch) and their schoolmates; but by night Lunch Lady is a baddass mystery-solving crime-fighting wielder-of-justice! Lunch Lady’s tools? Fish-stick nunchucks! Whisk Whackers! Sloppy Joes on the road, and honey mustard on the windshield! And of course, her sterile yellow rubber gloves! With her sidekick Betty (a fellow lunch lady) and the Brunch Bunch always close on their heels Lunch Lady foils even the most sinister capers, all while using a flawless amount of food puns. You may find yourself gasping “great spaghetti!” for days to come. And if that isn’t enough to sway you, the author Jarrett J. Krosoczka gave a heartwarming TED Talk about how he created the Lunch Lady books to sing the praises of unsung heroes in our school lunchrooms! A working-class superhero your kids will LOVE! I would say this book is well suited for mid-elementary to late-elementary school-aged kids.
The first awesome kid’s comic I found focused on around a great heroine was Zita The Spacegirl. I was visiting a friend in Western Massachusetts, I stopped into their radical bookstore and devoured the book in one sitting! Zita blew my mind! It’s the tale of a girl (Zita) and her how her life gets thrown into an adorably whimsical sci-fi adventure when she and her best friend (Joseph) press a red button they find at the bottom of a crater and are sucked into a world many galaxies away! Once in the new world Joseph is abducted by the Screed – a kid-appropriate alien doomsday cult – and Zita must try and find a way to save him. As Zita goes along on her journey she acquires a crew of misfits (probs a bit of a nod to The Wizard of Oz) who are loyal and endearing, and by working together they hope to get Joseph back! This book has just the right amount of complication, Zita is not perfect and in fact, may need to save Joseph for her own redemption as much as anything else to give the book weight and importance – but don’t worry it doesn’t get too heavy. AND if you, or a young person in your life, loves Zita she has a whole series you can read! I would say this book is geared for kids around late-elementary to early-Middle school.
Next, I want to recommend a graphic novel author, Raina Telgemeier. She does really fun earnest graphic novels with a bright classic-cartoon style about tween girls. She got her start doing The Baby-Sitters Club graphic novels, a book series she brings to life perfectly as she was a fan of them as a child. She grew to great children’s-graphic-novel-writer’s fame when she wrote Smile. Smile is is a fantastic little book, it’s her memoir of her childhood, dealing with a long-term process of fixing a dental accident, earthquakes, boy interest, and other sixth-grade adventures. She followed up Smile with Sisters, which is another memoir about her relationship with – you guessed it – her sister! It’s told over the course of a multi-day road trip, staggered with flashbacks of their younger childhood, it’s about the difficulty, resentment, competition, and ultimately the love and real tangible need sisters have for each other. Finally I’d like to recommend Drama. The main character, Callie, develops crushes on twin brothers who both are also involved in the school play she is set designing for. It’s lovely and has a very diverse group of characters, and while it focuses on her crushes, Callie ending up with a boy at the end isn’t the point (or even what happens). I recommend Telgemeier’s books for later elementary school through middle school.**
I want to sing the praises of Moon Girl and Devil Dinosaur. Lunella Lafayette is a nine-year-old genius (so smart in fact that Marvel has announced Lunella is the smartest person in the Marvel Universe – step aside Mr. Fantastic), she’s so smart that she has a really hard time fitting in. She’s too smart for her classes, her classmates DO NOT get her, and her parents pressure her to act more like everyone else so that she can blend in, make friends, be happy. But Lunella is not about that. Lunella has a secret lair underneath her school, more baddass inventions then you can shake a stick at, and a mission! You see Lunella has the inhuman gene, and she is terrified that the gene will transform her (as it is apt to do) into something else, so she is on a mission to save herself from the possibility of an inhuman transformation. So she hunts down a Kree Omni-Wave Generator convinced she can harness its power to prevent any inhuman changes, and when the Kree Omni-Wave Generator brings a bright red T-rex and a crew of evil cavemen who proceed to wreak havoc on New York City her mission gets a little sidestepped. Lunella initially is scared of Devil Dinosaur, but when they team up it is delightful, and they’re just a perfectly matched odd couple. Can I also just throw in there that Lunella’s fashion sense makes me LIVE? Her uniform in life is a tee shirt (often with a science graphic on it), khaki shorts, knee high socks, and her natural hair always up in in a pony or pigtails – it is TOO CUTE! I would recommend this book for late-elementary on through high-school-aged readers.
Lumberjanes is the comic book series I wish I had when I was a kid. It’s about a cabin of girls at Lumberjanes’ Camp for Hardcore Lady Types. It’s so lighthearted and fun, it’s a fantasy adventure that doesn’t take itself seriously, and packs on awesome punch of girl empowerment (they are constantly exclaiming “holy Joan Jett” or “holy Ida B. Wells” or “holy [insert awesome woman from history here]!”) and the importance of friendship (“FRIENDSHIP TO THE MAX” is a Lumberjanes saying). It shows a number of different girls, who express their girl-ness in different ways and shows great diversity in terms of race and ethnicity, sexual identity, and gender identity. Another thing I love about Lumberjanes is that each girl contributes to the team in different but equally important ways. It’s also a series I have no doubt they will just keep on printing, so if you and/or the kids in your life like it y’all can keep on reading it forever. I’d say middle-school on through high-school students (on through adults!) would enjoy Lumberjanes.
I also am a huge fan of the Princeless series. It’s about a princess (Adrienne) whose father puts her in a high tower guarded by a dragon to wait for a prince to save her, but Adrienne comes up with a better plan! She and her dragon go across the countryside freeing her sisters from the monsters that are guarding them! Making a half-dwarf-blacksmith friend, and running into all kinds of silly adventures on the side, the Princeless books are perfect for any kid who read a fairytale and found themselves wanting more. Princeless is a wonderfully diverse comic series, Adrienne and the entire royal family are Black, and in the second volume they meet up with an equally cool pirate princess (Raven) who is Asian. Raven actually gets her own spin off series, Princeless: Raven the Pirate Princess, which is also deeply wonderful. While Princeless is a goofy parody of fairy tales, Raven is a full an attack of anti-feminists and male cultural gatekeepers. As Raven tries to assemble a crew for her ship – to fight and destroy her brother’s who manipulated their father the pirate king into disinheriting her – the men of the pirate-laden port town she’s in throw every anti-woman insult we’ve heard over and over again at her during their interviews, the most memorable being one screaming “not all men!” Raven ends up putting together an all-women crew, which has great diversity in gender expression, race and ethnicity, and sexual orientation, and I cannot wait to see where this adventure goes! I would say that the Princeless series is good for readers in middle school, and Raven is good for high-school-aged readers.
And finally, I would just like to say for the record that Ms. Marvel (Kamala Khan) is EXCELLENT! Ms. Marvel is just a darn good superhero comic. Period. Kamala also is the first Pakistani-American and Muslim-American superhero in the Marvel Universe, and in times like these when Islamophobia doesn’t feel like it could be any worse, Ms. Marvel is the hero we so desperately need. We see her as part of a loving, caring and accepting family that puts no more rules or restrictions on Kamala then one would expect from involved parents of any religion. We see her participating in her mosque, and in one scene she goes to talk with her Imam when her parents are worried about her being out all the time (you know, because of the evil she’s thwarting!), and he doesn’t tell her to change her behavior or that she needs to act a certain way as a young woman, instead he tells her that if what she’s doing is so important to her then she needs to find a mentor to help her be the best at whatever it is she’s doing (then she teams up with Wolverine, it’s great)! And you don’t have to be a superhero fan to get these comics either, Ms. Marvel is also a lovely coming-of-age story about a teen girl trying to navigate high school, complicated friendships, family expectations, and superhero responsibilities. I think middle-school- through high-school students could read and love these comics.
And this isn’t even a comprehensive list. As I am wrapping this article up I am thinking of comics I could have included (I haven’t read Cleopatra in Space yet, but I know it would be a good fit! I ADORE the book Giants Beware, it’s a great fantasy adventure for tweens! Valiant Comics recently started a series about Faith a wonderfully nerdy fat/plus sized super hero! Also, Skim and This One Summer should be required reading for all tween and teen girls!). I remember the first time I rattled off the bulk of this list I came to a big realization. At the end of the year meeting of 2015 for all the Teen Services Librarians in the King County Library System, we were asked to list off any of our favorite books that year. When it was my turn I named many of the titles included in this article, and I realized as I was listing them that all of these comic books were about girls, many of which were girls of color, and how different the world of comics is today. It was then that I realized that if you grew up thinking that comics weren’t for you, you could never find yourself in your favorite superhero stories, but that isn’t the case anymore. You are in comics. And today’s kids can grow up seeing themselves and their friends as the heroes spread across glossy comic pages. And I cannot tell you how much that warms this former-girl’s / current-comic-lover’s heart!
*I feel that my list of things that women in comic books were implies that femme or sexy or stylish, even is a negative. Being femme and sexy is awesome! Any way that someone wants to express themselves is rad. My issue is/was more that the ONLY way women were portrayed in comics was as sexualized and femme.
**I am not recommending Telgemeier’s most recent book Ghosts, in part because I haven’t read it yet. But also because it has received criticism for exploring two Chicana girl’s relationship with the Day of the Dead in a very inauthentic way. I hope to explore this topic further in a future post, it’s a bit off topic for this post, but I wanted to acknowledge this issue and not ignore it.
adapted from South Seattle Emerald
More Happy Than Not is the single most underappreciated book of 2015. Silvera invites us into a perfectly described world, with an astoundingly complex and beautiful cast of characters, and a subject so contemporary and familiar that somehow manages to tell a completely unique story. How it didn’t rack up every YA award and prize imaginable, I cannot tell you.
More Happy Than Not is told from the perspective of Aaron Soto. A teen who was born and raised in the Bronx, on the same block, in the same housing projects his whole life. Silvera himself is from the Bronx and the realness he brings to Aaron’s world is pure perfection. This is the story of a neighborhood, a housing projects community. While so many YA novels tell stories of teens who can just up and leave for a joy ride or a soul searching trip, Aaron Soto lives just a subway ride away from all bright lights of New York City, and the farthest we see him travel is the ten-block walk to his girlfriend’s place.
Aaron’s social world is fairly small, he and his brother barely speak. His mom works two jobs to make ends meet, so he barely gets to see her – awake, anyways. And his relationship with both is pretty strained since his father committed suicide earlier in the year. He has had the same group of friends his whole life: Brendan (his sort-of best friend, who’s been kinda a dick lately), Nolan, Skinny-Dave, and Baby Freddy who are all around when you need someone to play a game with; and Me-Crazy, the kind of kid who you’re better off just avoiding. He also has a girlfriend, Genevieve, a sweet-tempered artist, who would probably fall into the manic-pixie-dream-girl category if this was a more generic story.
And all of that is turned on its head when he meets Thomas. They chance upon each other when Thomas is breaking up with his girlfriend as Aaron hides in the nearby alley (he’s playing “manhunt” with his friends, which is like a high-stakes version of “sardines”), Thomas helps Aaron squeeze through a gate, and they hit it off instantly. Aaron’s relationship with Thomas is totally different from anyone else he spends time with. They talk about their feelings and relationships, their dreams, they even reveal to each other their passions (for Aaron, it’s comic art and for Thomas, it’s film). It was a breath of fresh air for me as a reader that Aaron had such an emotionally honest relationship with Thomas, all the other young men in his life are distant, cold and constantly giving him shit (which, to my basic understanding, is fairly accurate as to how young male friendships work).
Aaron’s relationship with Thomas runs so deep that he begins to question whether he’s straight. When he starts to affirm these questions Aaron decides that he wants to go to the Leteo Institute to get a memory-alteration procedure. Oh, wait, did I forget to mention that there’s a place in this book that can 100% no bullshit erase unwanted memories, and they have a location in Aaron’s hood? Because yeah, that’s totally a thing. Which is to say this book is using science fiction to explore the human experience (why didn’t it win all the awards?! WHY?!).
And now I have to officially stop giving you plot points, because I am literally on the verge of spoiling this entire book for you, dear reader. But I can still talk about all the big picture things this book is about. This book is about relationships, how they’re good, and bad, how sometimes they’re unhealthy patterns, sometimes you don’t read them right, and sometimes they will surprise you by how rich and powerful they can be. This book is about toxic masculinity, and how devastating the costs of that culture can be for a young gay man. This book is about forgiveness, and unlike many YA books it draws the distinction between people who deserve our forgiveness and those who do not. This book uses science fiction as metaphor to condemn conversation therapy, heartbreakingly, and completely. But more than anything this book is about the the immense importance of finding happiness in who you really are, no matter how unideal that person might seem to be to you, and about the impossibility of finding happiness if you cannot accept yourself.
I would recommend this book for mature readers, both in reading level and emotionally. I would like to put a big trigger warning on this book for suicide of a family member, surviving a suicide attempt, description of an act of suicide, and homophobic violence. That said, I think this is a fantastic book for readers who love tender stories of self discovery. Who want to have more intentional friendships in their lives. Who are struggling with who they are, and need assurance that they are enough. Who want to read about a queer person of color growing up in the projects. Who think science fiction is at it’s best when it is a metaphor for real things people go through. Who want to read the best damn book published in 2015!
I think Adam Silvera is a voice we desperately need in YA literature. Obviously because he brought us this authentic story of a queer teen of color in the projects, and we need those stories to be out there, so the real life LGBTQI+ urban kids can find them, and so everyone else will know that they exist. But even beyond that really important achievement, I think Silvera has done something truly astonishing with More Happy Than Not. He is holding up a mirror, just different enough from the real world that we don’t have to see ourselves in it, so that we can see clearly how devastating the problems we create are.
adapted from South Seattle Emerald
I am in love with Shadowshaper by Daniel José Older. This book busts expectations of Afro-Latino representations in YA fiction every possible way. I mean, just look at that cover. It is so refreshing to see a teen novel with a beautiful young woman who has dark skin and natural hair taking up the entire cover! And that’s all before you even glance at the first page.
Shadowshaper tells the story of Sierra Santiago, an artist recently turned muralist who has just started her 16th summer in Brooklyn, NY. Sierra is fantastic: she’s funny, her outfits are always described as amazing street fashion ensembles, and she has the coolest crew of friends. A little throw-away fact from the beginning of the book is that Sierra and her friends all go to Octavia Butler High School, you know, just a fictional high school named after the groundbreaking science fiction writer. I nearly lost it right there (seriously, I want to make tee shirts that say Octavia Butler High on them, please get at me if you want one too!). From her calm and classically-styled best friend Bennie, to their femme freestyling lyricist friend Izzy and her butch and skeptical girlfriend Tee – Sierra’s ensemble of friends are funny, talented, and dynamic. In all the passages where her squad was hanging out it felt authentic, and I honestly just loved spending time with them.
But Shadowshaper is not a realistic coming of age story, it’s an urban fantasy! One day as Sierra works on her mural, she realizes that other murals in the neighborhood are fading, fading really fast, and – crying sometimes…? But she must just be imagining that… When she stops home that night to change for a party her Abuelo won’t stop apologizing to her, but she brushes that off too, he hasn’t really been fully there for a few years now. She is forced to stop ignoring the strange things around her, however, when a zombified man crashes the party to try and find her. With the help of her dreamy classmate Robbie – a boy of Haitian descent who is such a prolific artist that everything from his clothing to the margins of his books are covered in his drawings – Sierra discovers that she is a “Shadowshaper”, a Caribbean mystic who can channel friendly spirits into her artwork.
Sierra may now understand she has magical powers, but now she has to figure out why zombies from her Abuelo’s old crew are after her, why evil spirits are turning her Abuelo’s friends into zombies in the first place, why shadowshaping magic is fading, and who the random white guy in the photo with her Abeulo’s crew back in the day is; and she still has to figure out how her powers actually work. Sierra and Robbie’s experimentation with their Shadowshaping is incredibly fun. They play hide and seek with shadowshaped chalk drawings in central park, and dance with Robbie’s murals inside an all-ages Méringue club.
On top of all the the daring and dangerous work Sierra has to do, it’s happening in a neighborhood that is constantly being taken away from her and her community. As Sierra walks to Bennie’s apartment she gets stared at by white gentrifiers as if she does not belong in this neighborhood, a neighborhood her best friend has lived in her whole life, that Sierra has been visiting just as long. There is a painful moment when Sierra realizes that because of the drastic changes in this neighborhood, that in a way, she doesn’t belong there anymore. There is also a scene where Sierra is being attacked by a spirit regular humans can’t see, and instead of getting help from the white people who live in the Brooklyn Brownstones they see her as a threat and call the police on her. The exploration of white people appropriating/stealing from/recolonizing from Brown and Black communities is a theme explored deeply and brilliantly in Shadowshaper, in more ways than one – I’d tell you more, but that would be a major spoiler.
Shadowshaper is a great read for high school students, or middle schoolers who have a high reading level. It is especially good for readers who love female-driven adventure stories. Or young readers who are interested in social justice themes but want a book to be thrilling at the same time. Or a reader that loves magic, especially if they don’t relate to all the small-town-white-kid fantasy out there. Or a reader who is very close to their family and friends and wants to read exciting books with main characters who also have strong communities. Or, actually music lovers, the author is also a musician and his passages about Méringue and Salsa-Thrash music totally take you there. I loved this book, it was thoroughly current, effortlessly diverse, and too fun and well written to put down; I cannot recommend it enough!
adapted from South Seattle Emerald
So Mask Magazine is a “Reader Supported, Ad-free, Style + Culture for the Disappointed Generation” online publication. I know the editors, started subscribing and have really enjoyed it. I suggest you check it out as well. I was asked to write a buying guide of youth lit for it, and promptly and excitedly threw this thing together. Check it out, get some books to some kids or something!
I want everyone to read these books, so I can talk to everybody about them! They’re fantastic feminist fantasy (#fff could we get that started?) stories. They have enough story building to keep you immersed, but not so much that you get bogged down; they have amazing character development and totally enthralling relationships; and all while leaving me feel stoked and even empowered by how the interactions play out: They’re a dream come true to feminist fantasy readers. Since I’m so in love with this series it’s a fairly long blog post so feel free to jump to: my thoughts on Graceling, my thoughts on Fire, my thoughts on Bitterblue, or tl;dr
So, it starts with Graceling which tells the story of Katsa (Graceling came out before Hunger Games so it is NOT a Katniss rip off). In Katsa’s world gracelings are people who special abilities, these graces can be anything from good tree climbing to extra strength to physic abilities. You can tell gracelings apart because they all have two different colored eyes. Katsa is and graceling with an innate ability to kill, and because of her grace her king forces her to be a thug who enforces his rule, and she hates its. To rebel she created The Council, an underground network of people committed to thwarting the evil kings who rule the Seven Kingdoms. It’s pretty awesome.
Katsa being a rebel leader is totally effing cool, but for me, it’s only the beginning of the awesomeness. The rest of the Graceling review is going to be a bunch of spoilers, so read on at your own risk. Katsa discovers what her grace is when a creepy noble man makes crude remarks and then tries to touch Katsa, so she thrusts her hand at his faceand accidentally splinters his nose bone into his brain. Because that happens other people decide her grace must be killing, and that’s how she sees herself: a murderous monster. But throughout the narrative as she tells that story to different people, and more and more of her grace is shown (she can carry a man her own size up a long flight of stairs, she can make her body sleep or wake on command, she can start fires with wet kindling) it becomes clear that her grace isn’t killing at all: it’s survival. When she defended herself as a child from a man’s unwanted attention she was seen as a monster or a killer, when in reality she is a survivor. This revelation is thrill to read, and an important message I wish more people learned.
Another thing I love about this book is the romantic relationship she develops with a prince nick named Po. Katsa isn’t looking for love and is annoyed when it finds her in Po, mainly because she doesn’t want to get married and marriage is the only option she thinks is available. Katsa doesn’t want to marry Po because no matter how much freedom he allowed her he would always be giving her the freedom, it wouldn’t just be her own. But Katsa isn’t forced to chose between love and independence, Po suggests that they can still be together without getting married. This blows Katsa mind and allows her to create a partnership with Po on her own terms. And when they start having sex her takes herbs to prevent pregnancy, so you know, it promotes birth control. It’s incredibly refreshing and exciting, and allows feminist readers to just fall in love with the characters and enjoy the love story (which feminists want too sometimes!).
Another thing I adore about these books is that Katsa notices as she travels throughout the Seven Kingdoms that women and girls do not know how to defend themselves. It’s generally assumed that men and boys will look after females they’re related to, so when women and girls are harassed or attacked on their own they have no tools to fight back with. Katsa sees this obvious problem and starts teach women and girl’s how to fight, across the Seven Kingdoms, both hand to hand and with different weapons!
The second book in the Graceling Realm series is Fire. Fire takes place in the same fantasy universe but on the other side of a very large mountain range, so they kingdoms don’t know about each other and it’s almost a different world. In this world there are not gracelings but there are monsters. Monsters exist in all species, they are exactly like their average animal counterpart except they are radiant bright colors, and they have seductive abilities. the main character of this book is named Fire, she is the last human monster, and she is named for her brilliantly bright red/orange/yellow/pink hair. Fire’s abilities allow her to sense other’s minds and with weak minded people suggest ideas and even control their actions.
(spoilers ahead, be warned) Monster abilities also make them disturbingly attractive, which in the animal kingdom makes the normal creature easy prey, but in Fire’s life puts her in danger. Fire’s monster attractiveness is a fairly spot on metaphor for gendered violence in contemporary society. Fire does everything she can to conceal her monster features, but no matter how she dresses weak minded people still flock to her. These people exhibit all types of behavior from gaping, fist fights against each other for her hand in marriage, and violence towards her. At one point of the book she’s traveling with an army across the country, and plays her violin during the nights; one day she comes back to camp to discover that a soldier smashed her violin to smithereens. She cries and blames herself her tempting him by playing it, but her friend and guard Musa assures her that is wasn’t her fault, is was his choice and his action. Fire drawing attention to herself and her instrument was not cause her someone to attack her or her belongings. Which is a theme the book returns to frequently, Fire is a supernaturally irresistible babe, and men can control control themselves around her, because that’s their responsibility.
Fire starts the book in a romantic/sexual relationship with a friend named Archer (in which she uses herbal birth controll), which she has to carefully negotiate because he has grown to be possessive of her. Throughout the story she asserts her independence in the relationship, she decides to travel multiple times despite Archer’s insistence that such things are unsafe. She aides an army in battle without telling him because she knows he would stop her. She continues to create and maintain relationships with people outside of Archer despite his jealousy. And all of these things she does that she decides are safe or worth while for her to do turn out ok, sometimes they are dangerous, sometimes she needs help, but she’s never shown as someone who should have listened to her man. She knows what she can handle and we trust her to make her own judgments. Ultimately after living a way from Archer for a few months when he comes to visit she breaks the romantic relationship with him off.
Another thing I love that Fire adds to the Graceling Realm is a femme and physically vulnerable heroine. Katsa , who is wonderful and I LOVE her, has strengths that aren’t necessarily relatable to many women: she can defend herself against anything that would do her harm. Fire doesn’t have that advantage, Fire can be hurt by people bigger and stronger then her, much like me and all other women I know. But Fire isn’t a wuss or a weakling (again, like most women I know) she has limitations, but she’s smart resourceful and knows how to use weapons. She defends herself from undesired romantic advances by stating boundaries, using her monster powers (when they can aide her), closing doors on men, and asking for help when she needs it. I am eternally enchanted by fiction stories the show different female presentations, and different ways women can be strong.
The last book in the series is Bitterblue. Bitterblue is the name of a young queen on the Garceling/Katsa side of the giant mountain range, who has no fantastic powers, and is trying to help her kingdom as they recover from a shared trauma. Her father, the ruler of the kingdom before her, had a grace that made people believe whatever he said; he would do horrible things and then make people forget them/think that they wanted them/or think that someone else had done them. So Bitterblue has a nearly impossible task of moving her kingdom forward with different groups of people having opposite ideas of how to do that, on top of shorting though her own mangled memories, and like dating and having friends and stuff.
(spoilers ahead beware) So these books subscribe to the notion that what kingdoms need are good leaders, it’s shown throughout the first two books but we’re far more deeply immersed in that idea as Bitterblue struggles to be a good leader. This won’t be problematic to everyone, but it’s one of my least favorite parts as an Anarchist. I also know many leftist don’t like children’s stories casting royalty as heroes. To quote The Coup “Tell your teacher princesses are evil / that got their money cuz they killed people.” What I enjoy about her queenly struggles is how she comes to consciousness with how privileged she is, and how many people make her castle work and thus her lifestyle work. While reading about a queen coming to understand her privilege may not be super rad to all readers, I think it’s awesome that Cashore takes the time to explain how the castle works, who the castle employees, and all the many workers it takes for these fairy tales to happen. I also think for a privileged reader coming to consciousness with Bitterblue about how fricking lucky she is to want for nothing would be a pretty important read.
Despite this story being about #RoyaltyProblems it might actually be my favorite. Just because the scope of the book is so big. Dealing with entire country healing from such travesty, every character you meet is trying to deal with their own painful past. And it’s only through the telling of the narrative everyone’s stories are peeled back and revealed. The horrible things Bitterblue’s father did hurt everyone from distant farmers, to his advisors, to his family. And the effects this harm did still have hold on the kingdom today. What I think is brilliant about this book is the journey Bitterblue must go through to cut thought the layers of deception that are drawn around her, to keep her ignorant about how bad things still are in her kingdom.
What Bitterblue ultimately learns is that people close to her in the palace were working actively not only to keep her in dark, but to kill others that would try and bring the truth of her father’s reign to light, because they are culpable. These men who were terrorized and are now broken by the former king’s rule also helped him hurt others. These men who love Bitterblue and who Bitterblue loves, were forced into doing terrible things, and now would go to any lengths to stop those truths from coming to light. It’s heart breaking and it’s complicated and it’s incredibly realistic.
But it’s not just a downer book. It’s a story about resilience and varied resistance. It’s a story about friendship, truth, and healing. It’s a story where you see the benefits of Katsa’s fight lessons as Bitterblue defends herself. It’s a story where Bitterblue is given birth control herbs by multiple women in her life before she needs them. It’s a story where Bitterblue sleeps with a boy she doesn’t love because she wants to. It’s a story where punitive responses to crimes are shown as cruel and stopped. It’s a story with rich complicated characters who you cannot judge by their first appearance. It’s also a story where I think Cashore realized that she hadn’t written any gay characters into the previous books so every single possible side character is gay. But more then anything I think it is a story about love, how it comes in a myriad of forms and can sustain us even when it hurts us.
- Women can have varied gender presentation
- Women can be strong in a myriad of ways
- Women form underground rebel groups
- Women have sex when they want, with birth control
- Women can form romantic relationships on their own terms
- Women who defend themselves aren’t monsters but survivors
- Women teach each other how to fight and defend themselves
- Men are responsible for their actions towards women
- Women can make their own decisions about what risks they are willing to take
- Men who try and control their partners should be dumped
- Privilege is real and needs to be examined and recognized
- Survivor’s stories must be told for healing to happen
- Evil is complicated and can come from people you are close to and love
Please. Dear God. Read them.
Two absolutely wonderful friends of mine asked me for summer reading lists, quite a few weeks passed, and now I’m finally writing it (I’M THE WORST). I’m not a theory kid, I don’t care about the next “great American novel,” I like quick amusing compelling lit: I only read YA. Which is to say this is a summer YA book list. I’m sure you don’t need me to tell you to read Harry Potter or The Hunger Games, because there are plenty of amazing books that haven’t been turned into mainstream Hollywood movies (yet…). So here are some of my favorites:
The Summer Prince, By Alaya Dawn Johnson
So, I’ve already reviewed this book, but it needs to be on this list because it’s perfect, so here it is. This dystopian novel takes place in Brazil (not the United States!), it only has POC in it, it’s so queer I didn’t realize that some relationships in it were queer at first (had to take off my heteronormative goggles), there’s a healthy affectionate polyamorous relationship in it, female masturbation, class divisions and oppression, rebellion (and difficulty choosing to commit to rebelling). It’s everything. Read it.
Aristotle and Dante Discover the Secrets of the Universe, by Benjamin Alire Sáenz
This book is absolutely beautiful, Like, I can’t even, it’s just, dang. This is the story of two Chicano teen boys living in El Paso Texas who meet and instantly become friends, the carefully told narrative of their tender relationship is absolute ecstasy to read. This is one of the few books that I know of that explores a Questioning queer identity, which is absolutely genuine and excruciating. One final point to make in this micro review about this story is how it depicts loving, supportive, and accepting Mexican American families (it’s a shame that such depictions are a rarity).
Eleanor & Park + Fangirl, By Rainbow Rowell
Rainbow Rowell is my new favorite author, she tells deliciously rich stories, with the most lovable characters. John Green (another YA author worth reading) said it best : “[Rowell’s books] reminded me not just what it’s like to be young and in love with a [person], but also what it’s like to be young and in love with a book.”
Eleanor & Park tells the story of two misfits who start to form a friendship as Eleanor reads comic books over Park’s shoulder on the school bus. It explores poverty and fat experiences, mixed race identities in mostly white towns, and non-masculine male identities with complete care and realness. It’s an absolute delight (I may or may not have framed fan art from this book on my bedroom wall).
Fangirl tells the story of Cather, her intense social anxieties, her twin sister pushing her a way, her incredibly popular online fanfics, her confusing relations with boys, her creative writing teacher pushing her to write original stories, her bitchy promiscuous and downright lovable roommate: all while negotiating her first year at college. Fangirl doesn’t hit the same amount of anti-oppression points as other books on this list, but it’s still marvelous, honest, and a entirely unique young woman’s narrative.
The Lunar Chronicles, By Marissa Meyer
The Lunar Chronicles re-imagines classic fairy tales in a sci-fi future. For instance: Cinderella is a cyborg mechanic (I know! Right?), named Linh Cinder. Her prince charming is the crown prince of The Eastern Commonwealth (to simplify talking inter-planetary politics Meyers had all the countries conglomerate into continent sized nations. Fairly problematic as the last thing American youths need is a reinforced idea that Asia and Africa are countries…) which means both Cinder and her prince charming (the dreamiest man on Earth) are Asian- which I think is pretty cool. I can’t give a way too much more about the other twists on the fairy tales in the books without spoiling all over the place; but these are really fun girl centered narratives, where the girls get to be cool and baddass in ways distinct and unique from each other. The Chronicles aren’t over yet, Cress just came out this year, so we’ve got some waiting to do before the story concludes with Winter.
The Coldest Girl In Coldtown, By Holly Black
Ok, so it’s a vampire book. And I wanna be very clear: I do not like vampire books. But The Coldest Girl In Coldtown is the exception to the rule. First of all Tana, our protagonist, has agency she makes her own choices about who and what she’s gonna be, and sticks with them no matter what some “dreamy” vampire thinks. It’s hella refreshing. Also the book spends a lot of time juxtaposing romanticized fantasies of vampires drinking human blood, with what the horrific violent and brutal reality of vampires sucking humans dry would be like. And the final thing I’ll share with you in this review is my favorite character: a transgender girl of color named Valentina, who’s identity is always respected, is crushed on by a punky vampire hunter named Jameson (another cool character I can’t get into now!), and who’s narrative was an amazing metaphor for young queers who flock to Urban Centers trying to find community and acceptance. It’s cool, read it.
Wandering Son, by Takako Shimura
Wandering Son is a manga series that I’ve only been able to read the first book of so far (there’s at least 5 more…). It’s a sweet story about two gender non-conforming children. The first is Shuichi Nitori a feminine child who is MAAB. One day when working on a group project one of Shuichi Nitori’s classmates has them try on a headband and matter-of-factly says that they look like a girl. This fascinates and excites Shuichi Nitori, who instantly starts wearing their sisters accessories and dresses at home. Wondering Son is also the story Yoshino Takatsuki a masculine child who is FAAB, and gleefully discovers that with a shorter hair cut and their brother’s old school uniform they can wonder around the city and pass as a boy. It’s a sweet story about gender experimentation, self exploration, and building friendships with these experiences. Getting through 2-5 is the next thing on my reading list.
Locke & Key, by Joe Hill, illustrated by Gabriel Rodriguez
Trigger Warning: abusive relationships, violence, loss of family members. These graphic novels (6 trades in all) are incredibly dark, and often really creepy. And they’re amazing. The plot line is about a white family who moves to their ancestor’s house in Eastern Massachusetts after tragedy strikes, and then how the children begin to discover magic and a mystery within those walls. But thematically the story is about the magic that you have as a child and loose when you grow up, the intense way you love your friends when you’re a teenager, the incredible strength and ingenuity you can muster to protect your family, and forgiveness (not my usual favorite theme, but I dug it in this narrative). Despite it being about a white family the books go out of their way to discuss racism and racialized relationships, they also do a good job talking about class tensions in the Cape Cod. I also REALLY love the daughter in the books, Kinsey is one of the first (maybe only?) comic book girl(s) that I completely relate to. When reading them I found myself desperately wanting to be in them, not entirely unlike how I desperately wanted to go to Hogwarts.
I Kill Giants, by Joe Kelly, illustrated by J.M. Ken Niimura
Barbara is a social outcast, a trouble maker, but most importantly a killer of giants who wears bunny ears. Ok, so maybe the giants Barbara’s always talking about, worrying over, and setting traps for are in her head. And maybe her inability to connect with anything or anyone else is causing problems for her both at school and at home. But when a new girl comes to school someone else is finally interested in learning about this magical world that only Barbara can see. And perhaps the giants she must defeat are no longer something she uses to push people a way but may be a way to become closer with those she loves.
Ok, that’s my list. It’s by no means an exhaustive radical friendly YA list, it’s just the books that came to mind and stuck as I mulled this idea over. I hope you enjoy them, I’d be stoked to know what you think!
Since this reccent advent of turning every semi popular YA novel into a movie, it’s easy to write the original book off. And, to be fair, a lot of the books are worth writing off (ie Twilight), but there are a couple blockbuster movies whose source material is actually worth the hype. You’re not too cool for them, if you haven’t read them, you’re missing out.
The Hunger Games
Ok, so The Hunger Games get a lot of flack, and some of it rightfully so, but I’d argue that the dumbest things about the trilogy is because of the movies NOT the books. The biggest example being: Katniss IS NOT WHITE in the books, she’s brown, and it’s discussed at great length in the books how brown people in District 11 have less privilege and more dangerous jobs, then the white people who live in town. However these books surely aren’t perfect, the love triangle is really annoying, but Katniss is such a rich and complicated charter with so many other things going on at any given time: it’s fairly easy to ignore. I think they’re fun, fast, and addictive books; that talk about state violence, imperialism, exploitative media, diverse abilities & strengths, and even revolution in truly compelling ways. They’re a an ideal summer read.
I don’t know what you’ve been doing the last 16 years that was more important then participating in this well deserved global phenomenon, whatever it was, it’s no longer acceptable: just read them. One of my favorite things about the Harry Potter books is how they grow up along with Harry, the first few books read a bit like a Roald Dahl books- a little dark, but silly and fun, with only child like consequences- but as the books continue they get more mature and complex. The more you learn about Voldemort and the Death Eaters the less they seem like childish supernatural villains, and the more they resemble real life fascists. Which brings me to what I adore about these books: they’re obviously anti-fascist texts. They explain over and over again that while magical creatures are different from wizards, these differences do not make them lesser. A very cool massage for a youth book series, it’s not about equality and sameness, it’s about difference and respect. Although this diversity only stretches as far as centaurs and muggle-borns, not wizards of color, which is a serious problem with the books: diversity shouldn’t just be a metaphor. If that won’t wholly ruin the books for you, they show fantastic examples of anti-fascist organizing from life underground, to magical pirate radio, to student resistance groups. And while the movies really focus on Harry and his hero’s story, the books enforce over and over that this fight is EVERYONE’S fight, and every wizard is needed to fight against and defeat Voldemort.
I was just talking to my friend yesterday about how this blog is ALL ORIGINAL CONTENT, and then this list was tweeted to me. It’s pretty comprehensive, and has more titles then I was going to include in my YA trans book list (I have been musing about for months). So, I figured I’d better link to it!
I am still going to make my own list, and still plan on having this blog be mostly original content. But there are some things a solo blogger can’t do as well as a publication with staff and free lancers. So sometimes I will reblog, for the benefit of you, dear reader.
I’m going to include a comment made by Sara D in the body of this post: “It’s probably worth mentioning that I’ve read at least two reviews of Brian Katcher’s Almost Perfect by trans* reviewers (Jack Radish via PrettyQueer and…I can’t find the other review right now, but I know it exists) who say it’s not recommended for trans readers. The narrator is the trans character’s shitty transphobic boyfriend/love-interest, and these particular readers found reading from his perspective to be gross and triggering.”
When reading the description of this book it always hit me as WEIRD and problematic sounding. But a queer teen I know recommended it and it won all those awards, so I thought I’d read it to see what I thought. Another reason NOT to reblog, you can’t vouch for everything on a list you don’t make. Please be aware of issues with that title before reading or using it.
FINALLY dystopian YA fiction that takes place somewhere besides the united states! The entire story of The Summer Prince takes place in Brazil a few generations from now. In a world that has been ravaged by nuclear fall out, and Palmares Três is one of the last cosmopolitan cities.
The main character of The Summer Prince is June Castro a 17 year old student and artist in one of the more privileged sectors (sector 8). At the beginning of the story she and her best friend Gil, are religiously following the the Summer prince competition as they are desperately in love with the candidate from Verde (the poorest sector) Enki. Despite the fact that Enki toes the line of what is acceptable for Summer princes– by bringing the plight of the Verde into the city’s consciousness– he is elected Summer King of Palmares Três!
Palmares Três is run by a brutal matriarchy, the government is made up of Aunties and a Queen, who follow a doctrine created by the first queen who survived the fall out. The doctrine mixes Catholicism and Indigenous South American religion, and the long and the short of it is: every year a new king is elected by the people and every winter he will be sacrificed to save the city (as the first queen sacrificed her husband during the fall out).
First thing that I love about this book (I already mentioned) is that it takes place in Latin America. Something that should be evident because of that, but often times isn’t: all of the characters in this story are of color. ALL OF THEM. this is a beautiful and complex story about people of color. Sorry to repeat myself, it’s just such a rarity I want to be sure I drive the point home. Enki, who is considered the most beautiful character by June (and all of Palmares Três for that matter), is a black man with dreadlocks. June herself is not particularly beautiful, and also has some of the lightest skin tones the Aunties allow. Which is a pretty dramatic reversal of the racialized construction of beauty, and one I enjoyed quite a lot.
At the celebration of Enki’s kingship June and Gil are dancing together, Gil is such a good dancer that as soon as Enki enters the room Gil is all that he sees, Gil goes to Enki and falls to his knees, and then Enki and Gil kiss. I didn’t have my queer reading glasses on so it took me a second to realize that Enki and Gil were being gay together. And once I realized that was happening other things came into queer focus (I’m just so used to heteronormativity that I was painting everyone as straight), June’s mother is married to an Auntie! Also none of these characters are “gay” or “lesbian,” Gil has been involved with women, June’s mother was in love with June’s father, Enki and June fall in love and have sex later on in the book: sexual orientation is fluid and nameless. And as a queer reader is was really cool to see.
Also June and Enki become romantically involved not after Gil and Enki’s relationship but during, not like Enki is cheating on Gil, like Enki is getting into multiple consensual relationships. Uh huh, that’s right, this book also features polyamorous relationships! Before Enki and June start being intimate they are artistic collaborators and as they become closer Gil tells June that if they become romantic it would be ok with him. When June, still nervous that Gil might be upset, tells him that the she and Enki have kissed it’s not that Gil doesn’t mind, he’s excited! He’s worried about Enik and believes that June can help keep an eye out for him when Gil cannot. And in a similar situation June is comforted that Gil can be with Enik when she cannot. They have joyous overlapping relationships void of jealousy, if only it was that easy in real life…
Another aspect of this book I enjoyed was it’s exploration of defiance and rebellion. June is an artist, she explores many mediums throughout the book, but one of her first artistic expressions (and the one that’s discussed the most) is graffiti. June goes through great lengths to sneak to do graffiti without getting caught. Enki is constantly toeing or straight up pushing the line of is acceptable King behavior to expose inequalities and corruption in Palmares Três. And June struggles with how much she is willing to give up to do that same. I thought it was really honest and interesting to have a character wrestle with the risks of fighting against the government. June is a person of privilege who has the opportunity to rise to a position of influence, and instead of instantly and easily joining the good fight, she wants desperately to succeed within the institutions that exist. I think a lot of young people will relate to June’s journey to resistance, because she’s so attached to the status quo, it’s a lovely story arch for young people to travel.
Also, I couldn’t find a way to seamlessly incorporate this, but June masterbates and it’s not odd or shameful: she just has a good time, topless in the sun, it’s great. All in all I thought this book well written, compelling, exciting, and covered a lot of worth wild ground. I highly recommend it!
I’m doing a Music program next week for our teen/tween time and as I was trying to grab some books to push on them. I discovered that all the music focused YA book lists I could find were about classical, rock, or maybe show tunes and punk rock. And While books like Nick and Norah’s infinite Playlist and So Punk Rock (and Other ways to disapoint your mother) will be at my program, so will the following:
After Tupac & D Foster, By Jacqueline Woodson
Gangsta Rap, By Benjamin Zaphaniah
Harlem Hustle, By Janet McDonald
A Hip Hop Story, By Heru Ptah
Sister Mischief, By Laura Goode
And just for fun some nonfiction:
Can’t Stop Won’t Stop, by Jeff Chang
This blog is a place holder until I can read them all. I would be STOKED for other suggestions! Please comment.